When it’s gone, it’s gone.

The Limited Editions

Twelve photographs. Each one released in a fixed number of prints, signed and numbered by hand, with a certificate of authenticity. When a format sells out, it closes — no reprints, no reissues, no take-backs. Your number is your number.

Every one is a real photograph of a real place. I was standing there, usually too early in the morning, waiting for the light to do the thing I’d driven out for.

View the Editions

The twelve

Every limited edition I currently make. Prices run from $375 for archival paper up to $3,300 for a one-of-one acrylic — open any piece to see what’s left in each format.

Three formats. Three separate editions.

Every image is released in three formats, and each is numbered independently — a print numbered 3 of 15 on paper is not the same object as 3 of 7 in metal.

FormatSizeEdition
Archival paper
Hahnemühle Photo Rag 308 gsm, rolled		24 × 3615, 12, or 10 depending on the image
Float-framed metal
Set in a solid-wood float frame chosen to suit the image		24 × 367, 6, or 5
Acrylic face-mount
The largest and the last		36 × 481. Always 1.

The acrylic is a true one-of-one. When it sells, that’s the only one of that photograph at that size that will ever exist.

What makes it a limited edition

A signed limited-edition print

Made to last

Archival pigment inks on Hahnemühle Photo Rag 308 gsm, acid-free. This print will outlive both of us.

Hand-signing a limited-edition print

Signed and numbered by hand

Every print, every format — signed at my desk in Salt Lake City. Nothing about that part is automated.

A fixed edition, per format

Each format has its own edition size and its own numbering. When one closes, it closes for good.

Certificate of authenticity for a limited-edition print

Certificate of authenticity

Every print ships with a certificate filled out, signed, and pressed with an impress stamp by hand — naming the title, the number, and the format. “3 of 23” would be meaningless, so it never says that.

Never discounted

The editions sit outside every promotion I run. A code that took 15% off a numbered print would make the number worth less.

Limited edition FAQ

Editions, printing, shipping, and what happens at the border.

What does “limited edition” mean here?

Each image is released in three formats, and each format has its own fixed edition size — 15, 12, or 10 on paper depending on the image; 7, 6, or 5 in float-framed metal; and exactly one acrylic face-mount. When a format sells out, that format is never printed again.

Why is the acrylic always an edition of one?

Because at 36 × 48 it’s the largest and most expensive way I make a photograph, and a second one would make the first one worth less. When it sells, that’s the only one of that image at that size that will ever exist.

Do prints include a certificate of authenticity?

Yes — filled out, signed, and impress-stamped by hand before it ships. It names the title, the number, and the format, because a number without its format doesn’t mean anything.

What papers and inks do you use?

Archival pigment inks on Hahnemühle Photo Rag 308 gsm — acid-free, and the reason I don’t need the phrase “museum-quality.”

How does shipping work?

Free within the lower 48 on orders over $100, which is every edition. Alaska, Hawaii, and international ship at cost and the rate shows at checkout. Framed metal and acrylic travel as freight outside the US and Canada — contact me for a quote before ordering one abroad.

I’m outside the US. Will I be charged duties?

Almost certainly. Every edition sits above the EU and UK import thresholds, so expect a customs bill on delivery. I’d rather you hear that from me now than from a courier later.

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